Faith is Human. But what does it mean to have faith in the resurrection of Jesus?Read More
About a hundred from Team South Hills gathered tonight to look back at 2015 and ahead to 2016. According to a recent study the top 3 sentences people desire to hear in their lifetime are, "I love You," "I Forgive You," and "Supper is Ready." These three sentences sum up the story of the Christian Faith:
- God is for us not against us. "I Love You."
- God has the power and desire to make our wrongs right. "I Forgive You"
- God invites us into family. "Supper is Ready"
These three sentences are the story we are participating in together at South Hills.
The mugs pictured were given out tonight as a gift to each member of Team South Hills. Each member will have their own mug on the weekends. It's a small way to experience a sense of family - to experience "Supper is Ready." As each member of Team South Hills serves with various teams they'll also help create a sense of home for hundreds of families here in our city. In fact we have spare mugs for those who are not here yet to remind us there's always room at the table. Supper is ready.
This is the gospel-story we are embracing at South Hills Campus:
- God is for us not against us. "I Love You."
- God has the power and desire to make our wrongs right. "I Forgive You"
- God invites us into family. "Supper is Ready"
Christmas is often pitched as the happiest time of the year. Yet surveys reveal depression dramatically increases during the holidays. So are you crazy if you're not full of Christmas Cheer?Read More
You can still snag a copy of this sold out album online at your favorite locations like Spotify, Amazon, and iTunes.Read More
HOME > HOUSE. A recent message about community and the part you play.Read More
Rove's new album Ex Nihilo is on iTunes now. My quick thoughts on producing Rove's debut album.Read More
CAN I SHARE WITH YOU A SECRET? YOU GOT MORE DONE LAST YEAR THAN YOU THINK.
You probably just haven't stopped to consider what you actually accomplished. If you want to GET MORE DONE this year, try out these 3 simple steps:
Define YOUR VALUES
- physical health (running, cycling, swimming, sleeping, eating right)
- spiritual growth (prayer, bible reading, journaling, small group, service, mentorship)
- professional growth (creative projects, reading, conferences, bills and accounting)
- relationships (dedicated time for family, friends, neighbors)
Edison is famously credited for saying, “Genius is 1% inspiration and 99% perspiration.” Once you have some inspiration try calendaring the perspiration it takes to see your goals through. Schedule your goals as re-occuring events. As you see your calendar fill ALL the way up - every minute of every day accounted for - it may feel overwhelming and or suffocating. But the truth is you already spend every minute of every day. My buddy Jay Kim did a whole talk on being intentional with the 28,500 days each human - on average - lives. Calendaring your minutes is a sure-fire way to ensure you perspire in the areas that matter most to your values.
Put everything - and I mean everything - on there. Schedule time to run, to read, to be with your family, to Facebook, to eat, to sleep, to pray, to watch TV, to invest in creative projects, to meet with clients or staff, to shop, to rest. Put it all on there.
At first pass all your desired activities won't fit in a single week. Don't give up! Work the different events until you have something you sense is gonna get you closer to your goals. One of the worst disintegrations of our culture is separating our private life from our professional life and our social life from our spiritual life. Stick 'em all on there together and duke it out. When you re-integrate your various goals into a single calendar you'll start to feel the energy (and momentum) an integrated approach to living can bring.
Once you have your template you can populate it with a week or two of actual commitments. Fill in names and projects with specific things you're working on. If you get an invitation for a meeting or for a lunch appointment go look at how you've mapped out your time and pick a spot that corresponds.
Are you stuck on which events to priortize? One of the ways you can help prioritize one event over the other is to define your "BIG 3."
Here's mine from last year:
- Land a location for a new WestGate church campus
- Launch a weekly studio to write/record
- Increase physical health through exercise and healthy food choices
Because your life is way more complex than 3 goals these BIG 3 won't dictate all your time. But they'll help you give weight to certain items over others. Your BIG 3 will help define how to prioritize your allocated time.
PEOPLE NOT TECHNOLOGY
People get you farther... not technology.
- In locating and launching a new campus Steve Clifford, Dan Perkins, Mark Averill, Andy Wood, Filipe Santos, Archie Jackson, Ezra Gordon, Jack Hamilton, and many more where instrumental in helping me discover the right next steps towards a campus launch.
- In launching a new studio and recording several albums Shamina Khangaldy, Bobby & Jason Chiorean, Mark Averill, Karl Enguerra, Nick Tresko, Gustaf Fjelstrom, Kevan Long, Tom Michael and several more individuals played key roles in song writing and album development.
- In the area of physical health Dan Perkins, Mark Averill, Brad Bean, Matt McPhail, and Jack Roan all contributed to my first 2 triathlons.
No one takes steps forward without the help of friends, coaches, and mentors. You are not an island. Make sure you have people around you who can help you move forward. As one mentor of mine used to say, "Vision eats culture for lunch." Your context - the people who surround you - play the biggest part in you realizing your goals and values. So who's surrounding you?
GET MORE DONE - This Year.
- Define your values.
- Calendar your perspiration.
- People not Technology.
Check out this old video of a song I layered violin, guitars and vocals to. It's possibly one of my most favorite tunes this season.
It's that time of year again! For the second year in a row, I've had the privilege to record and produce a Christmas CD within WestGate's Worship Arts community. Some great friends and musicians lent a hand to help track this little EP. The CD proceeds are donated towards clean water.
Last year we happily ran out of CDs and raised enough money to repair 2 clean water wells in Western Kenya. These wells service 2 separate schools within 2 villages in Western Kenya. Our formal partnership is with Living Water. And our friend John Nadolski who works with Living Water shared the following comments from these two villages (which combined represent about 1,000 students impacted):
“The students got sick frequently due to sickness and diseases such as typhoid, dysentery, cholera due to dirty water from the untreated river. The students also wasted a lot of time going to fetch water from the river, which is very far from the school. There was drop in performance in the school due to wastage of time and resources.” - Mr. Mesus, Head teacher at the Vohovole Primary School
“The old water source had little water that was very dirty and not treated as compared to the new water source! This source has enough water for us and is safe to use. Students wasted a lot of time fetching water from very far and were often sick because of the dirty water. We suffered much from dysentery, typhoid, cholera and runny stomach (commonly used term to describe diarrhea). Now we have clean, clear water. Thank you.” - Mr. Zebedee, Head teacher at the Kiragilu Primary School
This year's CD is available for donation at all WestGate services beginning this weekend.
This past year I joined WestGate Church in order to help launch a second campus. We meet at Branham High and so far I notice all our volunteers park in designated spots. I'm trying to decide if there's some deep subconscious correlation to the spots key volunteers pick. Here's a couple examples I was able to snap this morning on my way in.
An empty parking space is a pretty cool metaphor for what we hope you experience here; I hope you experience a spot here for you - a spot in God's story. In fact that's why we launched this campus. We are pumped to meet more men and women, more families, more students who are open to exploring how God's story intersects their own.
As part of a recent WestGate Church campus launch, I chased down a Fender Rhodes case out of Berkley, CA. The guts were already gone. I bought the case and "hood" for $50 and brought it over to long time friend Jack Roan (of Noble Amps) to create a midi keyboard controller that looks darn right sexy. The controller connects to a MacBook Air 11" running MainStage 3. The audio interface is a Radial USB Pro which converts digital audio via USB straight to 2 XLR outs (shown). Pretty slick.
These pics are from a while back. We had to sand off a crazy amount of paint (at least 3-4 layers to get to the original). My favorite layer was homemade glitter flecks that likely originated in its previous home of Berkley, CA.
The next step is going to be to wrap the wood case in white tolex, add a Noble circle LED insignia and... turn it to 11!
Well for the last 4 weeks I've been trying out different approaches for triggering tracks in live musical settings. I've tried 3 midi foot controllers including Native Instrument's Guitar Rig Kontrol 3, Apogee Gio, and Line6's HD 500 (mostly because I already owned them). The first 2 pedals transmit midi via USB while the HD500 requires a traditional midi cable.
Regarding software, I've tried Logic Pro X, MainStage 3 and Ableton Live 9. Each have some unique reasons someone might want to use one over the other. I really like the customizability MainStage 3 offers. For now, based on a few different data points, I've jumped on the band wagon and landed on Abelton.
Tomorrow I'm looking forward to trying out some midi mapping on my HD500. Within the POD editor I set foot switches Fs1-Fs4 to send signals to Abelton Live. They control basic functions like start/stop, click on/off, and patch select. I decided to keep the bottom foot switches for turning on/off FX pedals within the POD.
If this set up works, the real win is that I can lug around just one foot pedal for all my guitar sounds as well as triggering tracks.
One of the things I started exploring in late 2013 ( and continue here in 2014) is an electric guitar by Line6 called "Variax JTV." I've been playing it on and off in the studio (as well as live) for a few months. Below are some of my thoughts after playing the guitar.
First off, this guitar is targeted at certain guitarists who may want to have "one guitar to rule them all." Its more or less the swiss army knife of guitars.
In the Studio:
There are times in the studio where your go-to-guitar isn't sounding quite right. Pulling out a second or maybe even third guitar requires time tuning up and dialing in gain structures. If you had one guitar that - with the twist of a knob - would offer you different "in-tune" guitar models - you could bang through studio sessions more quickly. Maybe even more creatively.
Similarly when it comes to gigging live there are times you want to travel light. Less gear is better. However as much as you want to travel light your set list requires 2 or more guitars. Well, the Variax wants to position itself as the solution to your live gigging conundrums. At least that's what I got from the marketing.
This guitar promises through on-board digital modeling to be several guitars in one form factor. Additionally it lets you digitally capo with the flick of a switch near the neck. For instance you can literally "drop D" without ever touching a tuning knob. It does all this digital wizardry through one of the magnetic pickups. If you want you can turn off it's brain and just play it as a standard electric with magnetic pickups as well.
The new variax models from Line6 all look pretty good. There are actually three models: 59 (think Les Paul) 69 (think Strat/Jaguar) and 89 (think shredder-like). You can choose between foreign or American made models. I went cheap for this experiment.
Les Paul vs Strat
I tried both the 59 (Les Paul) and the 69 (Strat/Jaguar) for a few different gigs. I found I liked the look of the 59 (Les Paul) more. The knobs on the 59 (Les Paul) look and feel way higher end. However the feel of playing the 69 (Strat/Jaguar) as well as the sounds I was getting were better and more versatile. The body of the 69 was also lighter.
From Toy to Relic
I remember seeing a first gen Variax over 15 years ago. I think it may have subconsciously inspired the toy guitars in the ever popular video game, "Rock Band." That is to say the first gen Variax didn't look all that real... more like a toy.
The new Variax are much more believable. I ended up with a black Variax JTV-69. I found that the guitar was too plastic and shiny brand new. It screamed toy with a mass market vibe that most guys aren't into. I also hated the head-stock which had the ugliest graphic I've ever seen on a guitar. It reminded me of Microsoft Word clip art from the 90's. Yuck.
In order to transform it from toy to relic I ended up taking the guitar to Keith Holland Guitars where Keith was able to relic it into some of the pictures you see here.
Quick Thoughts - Live
After being "set up" and relic'd this guitar now feels and plays like the real thing. From stage it is indistinguishable - guys wouldn't necessarily know you're playing some sort of weird hybrid electric guitar. The actual neck feels great. It's fun to play and has good resonance. The pickups are great and - after relic'ing - the knobs feel less cheesy and more vintage.
I find myself mostly toggling between Tele and Les Paul models. Occasionally I move towards a Gretsch semi-hollow model. I've also played it with the digital modeling off. With the modeling off it mostly resembles a Strat.
The sounds of each guitar model are good. They are very close. However it can feel more like an effect. Your body somehow stores what it feels like to play a Les Paul or Strat and to toggle through these sounds on a Strat body... well, it can feel sort of surreal (I'm not sure in a good way). It's not necessarily bad either. It's just feels more like an effect.
So far I would say respectfully it's not my favorite guitar to play live. It just doesn't cut it. The main reason has to do with powering the guitar in order to use the onboard digital electronics. I think this part of the user experience may work towards the reason you'd buy it - to travel lighter.
In order to use the onboard modeling you have to charge a camcorder-sized battery housed inside the back of the guitar. I've also powered the guitar via my HD500x through an ethernet cable that connects the two.
Overall powering the guitar for live through either the battery or the ethernet cable feels cumbersome. Though I could see how someone might get used to charging the battery before/after shows for me it's not worked out well. In one case I accidentally left the guitar "on" between gigs and showed up only to discover I was all out of juice. I've tried gigging smaller stages with the ethernet cable plugged in but it feels like a toy when I do so. The cable doesn't lay flat so it ends up somewhere between a tripping hazard and a visual clue that I'm not playing a "real guitar." If there was a cable that looked more "real" or it might cut it.
I'll keep trying it in live applications over the next few months. It's possible that over time I'll enjoy it more. That being said where I've enjoyed the guitar the most is in the studio.
Quick Thoughts - Studio
In the studio environment I've found I can dial the Variax in quickly and toggle through sounds to find the right textures for recorded guitar parts. The ethernet cable isn't a problem in the studio for me. It feels more like a production tool in that case. Its been a great help to quickly go from a chimey Strat or Telecaster to a beefy Les Paul.
There are some great additional features with the Variax that I haven't had the time to really get into. You can read more over at Line6 to understand the full scope of features. One producer friend was mocking it's feature list, asking me if it includes "a wifi hotspot." Overall I would say that it's a great guitar but can take some work to really dial in. It reminds me of certain amp manufactures who offer a slew of options vs some standard amps with a few simple knobs. Sometimes more is more. However often less is more.
I'll update more over the next couple of months.
Recently I had the opportunity to work with a handful of musicians who attend WestGate Church. We were able to put together a Christmas CD in-house with the proceeds going towards clean water. I am new on staff so I had us only order 1000 units as a test. Turns out we sold out within 3 weekends. The total raised was about $8,000.
I say, "about" because we had some troubles with our credit card swiper (some of us make better musicians than cashiers). One of the cool byproducts of this project is that we ended up performing a lot of these arrangements live during our 5 Christmas Eve services. I noted several comments from people who really appreciated getting to know the songs/arrangements in advance. It seemed to strengthen their participation during services.
The project was actually pretty straight forward. We found arrangements we liked and we put our own spin on them. I had a lot of the arrangements done in Logic and then invited musicians to lay down complimentary tracks. Kevan Long mixed the tracks "in the box" using Logic and several Universal Audio plugins powered via a Satellite Duo. For the songs that were not "public domain" I used LimeLight to pay for the rights to re-record for our intended use.
Here's to Christmas music (and a great collaboration)! Because of this project another village has clean water.
Recently we had the privilege of seeing friends and family come out for the annual World Vision Christmas Party. World Vision offers a christmas catalogue featuring high-impact gifts to some of the world's poorest. Guests enjoy an evening of top-notch food, music and wine with the opportunity to contribute towards a gift list created in-the-moment by attendees.
Each year we've seen this little party grow and evolve. Lynsie Gridley teamed up with Cathy Smith, Nanette Kinkade, and Chelsea Opheim this past December. This year's party was hosted at Cathy's home with special guest Shamina Khangaldy performing acoustic christmas covers. Mr. Shin from Michi Sushi provided high quality sushi for the night.
We're thankful for a great evening with amazing friends. Alongside some great conversation and good food, the numbers increased again this year to total of $26,862. Men and women now have resources that otherwise would have been difficult for them to realize simply because of their global zip code.
Thank you to everyone who was able to make the party last night. Friends from all walks of life came together and literally packed the house. Over wine, Michi Sushi, live jazz and some good conversations over $17,000 was raised on behalf of World Vision.
The gifts purchased collectively through World Vision's Gift Catalogue included:
- 17 goats
- 36 chickens
- 23 ducks
- 5 cows
- 1 rabbit, sheep, fish pod
- 8 soccer balls
- $1900 medicine & rescue/restoration to human trafficking
- $13,800+ to maximum impact fund (general)
The total is still climbing but is currently above $17,000. Pretty incredible for one little dinner party amongst friends! Thanks again for all who could make it. Together we made a dent on what Bono refers to as "stupid poverty" - that is poverty dictated simply by the zip code you are born into.
Speaking of zip codes, earlier this year the Wall Street Journal reported San Jose CA as one of the highest median household incomes of any major city in the country. Such reports confirm the Silicon Valley as one of the most densely populated and richest areas in the entire world. In such a context the words the Apostle James inspire us to look not only to our wealth but to those who are in need.
"Religion that God our Father accepts as pure and faultless is this: to look after orphans and widows in their distress..." James 1:27
About 2 months ago I produced and led worship for a larger conference inspiring bay area leaders to believe God could do more in our valley. It was a great couple of days of worship and prayer. It was also a lot of work. Like a good workout at the gym, after 2 days of producing, coordinating, leading music and prayer, and lots of one-on-one conversations I felt I had "left it all on the table." Pleased with results of some hard work I hopped in my car and raced home aiming to get a little rest before the following day's worship services. While on my way home I saw a homeless guy and felt prompted to stop and connect. I felt God was giving me the opportunity to extend relationship to someone easily passed over by our society. Instead I drove right on by. As I passed a few blocks I began to try to rationalize my actions: you need to get home and rest up, it's late and you get up early, I'm sure he's begging for cash - cash which you don't have on you right now anyways. In that moment God reminded me that he "owns the cattle on a thousands hills." He said to me, "Don't feel guilty about not providing for that guy. I can always find someone else to provide for him. I was providing YOU with an opportunity. Your loss."
I realized I had my eye on receiving God's blessing during a 2 day worship conference when really part of God's plan had been to surprise me with an encounter following. You could say I experienced the show but missed the encore.
The following week I shared with my small group of guys how I felt I had missed an opportunity to be Jesus to someone on the fringe of our society. I vowed to the guys I would look for the opportunity again and if God was to give me another chance I'd take him up on it.
Tonight, I was driving home after another 10 hour day of ministry. Same corner. Different guy. New opportunity.
The only problem is that I couldn't get over a lane and I couldn't get any cash out of my wallet. The light turned green and like a lemming I pressed the gas pedal down and drove right on by. I locked eyes with the guy and waved like somehow he would understand that I tried. Maybe next time!
But as I passed him I knew I had to stop. I had to figure out how to turn around. I was going to have to go against the momentum of the moment in order to meet God. I pulled over in a nearby parking lot and pulled out a one dollar bill. I felt God wasn't interested so much in me providing money as much as he was asking me to give of my time. I locked the car and crossed over the street to meet Jacob - the beggar on the corner of a busy freeway offramp. I told Jacob as weird as it sounds God had told me to pull over and to talk with him. Our conversation flowed naturally over the next several minutes. I asked him his name, where he is from, where he sleeps, how he's holding up in the cold weather. I asked him what his plan is to get off the streets. Through several heartbreaking stories it was clear Jacob had lost hope to be anywhere other than alone on the streets.
But this is what I know - Jacob is not too far away from God's love. There's still hope. God's grace is big enough. As I gave Jacob my one dollar bill I told him that God loves and listens to the prayers of kids. I told Jacob I have kids that would pray for him - by name - tonight. And they did. And God heard them.
In the moments I met with Jacob the heavens didn't open up. I didn't levitate. There were no miraculous healings. But as I drove away I thanked God for giving me more than one opportunity to experience his kingdom at work. Only God could allow me - a guy singing all day about Emmanuel (God with us) - to see Jesus in the eyes of a beggar named Jacob.
Yes. God is with us on the side of the road of an otherwise mundane evening commute. He is in the selfless and clumsy prayers of small children. He is in the encore.
Aviom units can be a big help in cutting down stage noise and increasing the quality of your mix (live and in the studio). But labeling the aviom channels can be a pain. You can personally pencil in each channel if you really wanted to. The other option is to print something out and affix it to the personal mixing units. Our favorite part is the colored distinctions between channels. Here's a template (for those of you on Mac using Numbers). Each printer is a bit different so you may need to adjust it some. Hope it helps! Happy mixing.
Worship is Revelation & Response. I decided to put this phrase across some chalk boards in our green room here at Calvary. This room is where we meet before we step out onstage to serve 1,000 people weekly through musical worship. The chalk boards serve as a reminder of what worship is *supposed* to be about: Revelation & Response. Notice it doesn't have anything to do with perfectly executed chords, crazy guitar licks, LED lighting, or moving slide backgrounds. Worship is an interaction between God and people. Worship is 1) Revelation and 2) Response.
Revelation is the first distinction of musical worship. God initiates revelation.
Our chalk board currently reads, "God does this." In other words revelation is not man-made. The Apostle Paul reminds his readers in Galatia, "From Paul, whose call to be an apostle did not come from human beings or by human means, but from Jesus Christ and God the Father, who raised him from death." What is he referring to? Most likely Acts Ch 9 where God initiates a revelation of himself so dramatic that Paul completely changes the trajectory of his life. Revelation is something God does. He initiates. He reveals things like: his glory, truth, holiness, grace, love, character, and plans. Worship is Revelation.
After God reveals we respond. Response is the second distinction of musical worship.
I love the picture of God revealing his holiness to the people of Israel at the foot of Mt. Sinai. After God's presence rests on the mountain, evidenced through natural wonders, the people respond. Exodus 20:18-19 reads, "When the people heard the thunder and the trumpet blast and saw the lightning and the smoking mountain, they trembled with fear and stood a long way off. They said to Moses, 'If you speak to us, we will listen; but we are afraid that if God speaks to us, we will die.'” Our response can be things like praise, repentance, joy, singing, clapping, cheering, acceptance, and sacrificial giving. On our chalk board we wrote a short list of possible responses. Below that list I wrote the words, "We do this." This is our response. This is where we act.
I'm probably preaching to the choir when writing about the need for people to respond. How many crossed arms, blank looks, glowing faces illuminated from smart phones have you seen in the midst of musical worship? We need to work harder at teaching our churches and our worship arts teams the two distinctions of Revelation and Response. Without our leadership people may continue to set their expectations too low. At best they will see musical worship as a concert. They will expect great spiritual music and emotive moments. But as the last chalk board shows, our bar ought to be transformation. This isn't a concert. This is a chance to be transformed.
God reveals (he does this). We respond (we do this).
that all of my hard work will most likely fade away. The only thing that will remain is LOVE. Lets "up the bar" this week in how we love each other and our church. If you lead from stage, how can you love the people who show up week after week a little more than you already do? Do the Same. Love More.
1 Corinthians 13
1 If I could speak all the languages of earth and of angels, but didn’t love others, I would only be a noisy gong or a clanging cymbal.2 If I had the gift of prophecy, and if I understood all of God’s secret plans and possessed all knowledge, and if I had such faith that I could move mountains, but didn’t love others, I would be nothing.